Thursday, March 9, 2017

Artist Felice Property Reimagines Scenes from Common Western Films with Feminine Cowboys as Leads

Artist Felice Property Reimagines Scenes from Common Western Films with Feminine Cowboys as Leads


Positive Entertainment and Culture Magazine for Creative People • Photo Vide


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Julia Dean in “Giant”, 2013. Oil on canvas, 54″ x 68″.
Angered by the gendered division perpetually witnessed in classic Western movies, painter Felice Property made the decision to produce her painted collection Re-Western. The assortment of operates are a re-imagining of her favored Western...

Julia Dean in “Giant”, 2013. Oil on canvas, 54″ x 68″.


Angered by the gendered division perpetually witnessed in classic Western movies, painter Felice Property made the decision to produce her painted collection Re-Western. The assortment of operates are a re-imagining of her favored Western movies solid with female prospects as an alternative of the conventional male cowboys, portray girls in place of actors this kind of as James Dean, John Wayne, or Clint Eastwood. The ladies in her paintings are strapped with shotguns using horses, fiercely wanting out on to a deserted plain, and strongly staring into the eyes of the viewers clad in plain button-downs and shiny purple cowboy boots.
“The western motion picture custom is so established so accepted, so mythologized that it spans the world,” mentioned Property to Colossal. “I appreciate the genre, and at the exact time when I sit down to watch a Western motion picture, I commence to sense offended. For the most aspect, the roles in Westerns are totally inaccessible to me.”
Deciding to commence a dialogue with this aggravation, Property select to paint these reimagined Westerns to question uncomplicated questions to a culture that constantly handed above these roles to males. Property seeks to question what culture would be like with this imagined reversal—how would training be improved? What would our reestablished priorities search like with girls as the direct job?

Liakesha Dean in “Giant”, 2013. Oil on canvas, 36″ x 48″.


Julia Dean Portrait, 2013. Oil on canvas, 24″x 20″.


“I would argue that in today’s lifestyle portraying ladies devoid of objectifying them is an intentional and political act,” mentioned Property. “The art historic and current cultural norm is to portray ladies to extol their sexual splendor and to motivate possessiveness. For hundreds of years gentlemen have painted photographs of ladies for gentlemen. Now that ladies have accessibility to training and schooling, ladies are portray ladies as we see ourselves.”
Property makes use of her female gaze and voice to produce potent, female heroes in environments we all know, reestablishing our relationship to the very well-recognised historic options. Performing with the notion of a hero, Property paints her portraits bigger than lifetime. She encourages the viewer to search up and develop into dwarfed by the ladies and their electricity, hoping this modify in actual physical perspective may motivate a modify in mental perspective as very well.
A number of of House’s female portraits are presently in the group exhibition Sight Unseen at Abend Gallery in Denver by March twenty five. Items from her Re-Western collection will be bundled the forthcoming exhibition Lady as Warrior at the Zhou B Artwork Centre in Chicago in August. You can see additional of her operate on her internet site and Instagram. .

Karan and Nanc in Open up Array, 2015. Oil on canvas, 36″ x 60″.


Virginia Eastwood in “The Great, the Undesirable and the Ugly”, 2013. Oil on canvas, 62″ x 80″.


Rebekah Wayne in Real Grit (Examine), 2014. Oil on canvas, 30″ x 24″.


Krimmie Wayne in “The Searchers”, 2013. Oil on canvas, 60″ x 40″.


Liakesha Cooper in “High Noon”, 2013. Oil on canvas, 36″ x 48″.


Virginia Wayne Portrait, 2013. Oil on canvas, 30″ x 24″.


Stasha Dean in “Giant”, 2013. Oil on canvas, 90″ x 60″.

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